Tuesday, May 24, 2022

Stuart Marson - Where Falcons Fly


Stuart Marson's first record (which I uploaded here) is one of the most beautiful loner-folk albums of the 1970s.  Despite his musical talent Stuart would persue a career in teaching and would not release any recordings (as far as I am aware) for many years.  He played in folk clubs in the area and wrote some songs here and there, a few of which he gave to other artists (notably: Close To The Wind, Over The Lancashire Hills).

Finally, in 2013, Stuart put out this CD of original compositions.  Some old, some new, this album is as magical as his first.  Stuarts voice has aged in the near-40-year gap between the two releases, but to no loss of beauty.  His singing and playing are still truly wonderful to hear.

download the CD here.

Wednesday, May 11, 2022

Kid Icarus - Untitled 10"


Kid Icarus was a project from four fellas in Arlington Virginia.  They self-released one 10" record and a 4 song demo tape as well as appearing on a 7" compilation from Pep-O-Mint records.  Honestly, I only know two things about this band: Three members ended up forming Kwisatz Haderach with a few other people, and that their record fucking ROCKS...

The music on this 10" really speaks for itself.  Recorded in the summer of 1996 in Virginia, the band does an excellent job of the hectic "stop, start, stop, start again" thing (as I choose to describe it in this moment).  Very limited by my musical vocabulary, all I can objectively tell anyone reading this is that the music on this record is seriously special, and worth the short 24 minute listen.

download the 10" here.
and the demo here.
I've also uploaded the 10" to youtube for easy listening.

Also..I've changed the blog's name, the lyric is from the 5th track on the 10"..  I plan on making some more changes to the blog soon.

Friday, May 6, 2022

Ape Records 01 and 004 (What April Showers Bring..., Israfel)


What April Showers Bring... (APE 01) was a 7" compilation released in 1996 by Gregg Holtsclaw's label Ape Records.  It was the first of a small but important catalogue that the Bloomington-based label would release in the 2 years Gregg maintained it, featuring four songs from four different bands.  Side A consisted of two songs from the bands In Ano and Failsafe, both from Indiana.  Side B was two songs from the bands Barrel and The Soviets (which was a side project of some of the Calm/Mohinder guys).  The 7" is about as DIY as it gets...folded paper sleeve with some roughly drawn print on the front with a 4 page booklet admittedly printed at the local kinkos.  On various colors of marbled vinyl, the comp also has a acetate transparency with the covers art printed with various colors of ink (sofar I've seen black, red, blue..).

Holtsclaw had a knack for liner notes, so I'm going to include complete transcriptions (with one or two minor error corrections) of the notes for the two releases on the post:

saturday june 8, 9:30am

in roughly 4 hours i will be going to kinko's to use copy cards to print this booklet, an ad, and the covers of this record.  in the end it will seem a lot like everything, not completely realized, constrained by money, lacking depth and meaning...but at the same time i hope there is something here for you, i hope that you understand that this is more than paper and vinyl in an oversized sandwich bag.  it is hard for me to focus what i want to say...mainly because i have not sold out, (but i am currently taking offers...), so really what is there to say?  possibly i should tell you that i am poor, that i saved for a long time to do this record and still came up short.  maybe i should tell you that my parents before me were poor.  maybe i should tell you that my father is dead from agent orange, and that my mother is, to use a tired expression, poor as dirt.  i could add that i will probably follow in their footsteps, that being poor means i have always bought my clothes at goodwills, targets, and value cities, or whatever the equivalent is in your city.  i could tell you being poor means you always have a chip on your shoulder, and that you always have the firm idea that you will never amount to anything firmly planted in your body.  but i will skip that, skip it because today i don't feel that way.  actually i don't really feel that way at all anymore, which has been a long time coming.  as this record slips between the hundreds of others i wonder what the difference is...the lyrics, music, my intro, the drawing, the colored vinyl...something similar to the point has been done a hundred times over.  i guess the point is that this is mine, which i want to share with you.  i think that a few people will understand, and the rest?  well they can go buy the newest victory or revelation release.  thank you for your time.

thanks to phil dwyer for his help,elizabeth for drawing the cover and being a beautiful person, jeremy for being a friend and getting in ano involved with this, clay and the soviets(apologies),failsafe(who are cringing at the sweatercore intro),rick & barrel for patience, rick o. for assistance.  thanks to derek daniels, dave britts, ryan, steve duginske, clark, and austin for passing time.  thanks to others...but i don't have the kinko cards to list you all.



Israfel (APE 004) was the fourth release and second compilation released on Ape Records, this time a full LP instead of a 7".  The LP didn't really have a sleeve, but it did have a sleeve sized piece of card backing the LP in its printed inner sleeve with various inserts of different shapes, sizes, and colors.  My copy has: A 16 page paper booklet bound with blue yarn including liner notes from Gregg along with a page for each band on the comp (sans Harriet the Spy, Reversal of Man, Inept), A vegan resource guide of non-vegan ingredients that Holtsclaw compiled on a long strip of paper, A large yellow printed catalogue for the 4 Ape Records releases, and a "HARDCORE SELLOUT DECODER RING".  My copy also has the artwork for Inept which was too late for the booklet on a piece of paper.  

In an attempt to give some financial support to the family of two young girls with Werdnigg-Hoffman disease, Holtsclaw put this compilation together with the help of the few bands that were motivated to help.  Fourteen bands contributed songs to it in 1997 including The Locust, Old Hearts Club, Serotonin, and Reversal of Man.  All of the bands put forward pretty unique displays and the compilation as a whole is very diverse, I love all of the bands on here.  Bands like Criswell, The Weak Link Breaks, and Twenty Seven Hours wouldn't release much music past this comp, but I think their songs are some of the best of the comp.  If you are going to listen to any of the tracks, definitely check out Twenty Seven Hours' "Coaxial".

Why this record came to be:

This record is the product of roughly two years of work.  It is a benefit for the Rachel and Sarah Ping fund, a fund established in Indianapolis to cover the medical costs of two little girls, who had Werdnigg-Hoffman disease.  Werdnigg-Hoffman is one of a number of genetic disorders/diseases, it is marked buy the degeneration of the spine, muscles, and nerves.  The girls were twins and slowly became sicker as the disease progressed.  Eventually they could no longer roll over on their own.  Their heads became too heavy for them to support.  The girls came to the point where they had to have a live in nurse.  The disease is fatal, and it was in their case.  While trying to care for the twins and progress through the difficult financial times, let alone the motions, the family declared bankruptcy.  They still had two children to support, and they were forced to sell their house.  This comp is a drop in the bucket.  More may follow.  I really don't have a clue.  I know this is the least that I can do, because I was too pitiful to spend time with the girls.  Because it upset me to see them with their slumped heads, with their fragile dying bodies, and their innocent beautiful smiles that I knew would never grow old.  Goddamn me.  I could leave, but their family couldn't.  But my mom didn't.  And for a time their community didn't.  Maybe this is my atonement, but I know only that I failed.  And that I hope not to continue failing.

the bands.
In the beginning I contacted a slew of bands, focusing on political bands.  They were not very political and none were reliable.  In the end the bands on this record were the most patient, and passionate I could find.  Hopefully more bands will come around with the dedication and devotion to music and helping others that these bands have.  I somehow doubt that will happen.  Thank you to the bands.  Gregg/Ape

The booklet also contains, along with the bands individual pages, a four-page-long manifesto of sorts, due to its length I'm making a separate post for it here.

Download APE 01 here.
Download APE 004 here.

Thursday, May 5, 2022

Israfel manifesto by Gregg Holtsclaw

read about/download the related release here.

Pseudo intro to the writing...

The following words i penned in two sessions immediately before the printing of the booklets for this record.  I did this not to attempt some Keroauc-esque free formed trash, but rather to give you an accurate representation of myself.  The way that i live life and conduct myself reflects my tendency to improvise and attempt to use an easy, quick, and topical approach to life.  And allows me to avoid my perfectionist tendency.  While this is mainly due to the fact that my job is being an improvisational comedian, it is also because i find that no matter how much planning i put into my endeavors something always goes wrong or changes my original idea.  Therefore, it is easier to create and progress  Rather than refining my output, i choose to create more, to move on.  Quantity vs quality, or progress vs stagnation?  Drop me a line, and let me know which it really is.

ISRAFEL

I think it is important for you to know what the record's title means...well go to the library and research it.  Do you really expect all your thinking to be done for you?  Try looking up books dealing with the subject of angels...maybe a dictionary or encyclopedia of angels.  That is all the help you will get.

The hardcore scene has become terribly isolated, and despicably self-absorbed.  It is sick that hardcore's only contact with the outside world has become benefits, where a few words on paper can make people aware of a cause or suffering they never heard of, nor took the time to investigate.  It is inexcusable.  While the mainstream media does a solid job of ignoring unpleasantries, there are still a number of sources, and stories even, that make it to the public eye.  Recently, there has been a move to relocate the Dineh people, a southwestern native american tribe which has already been relocated once, to a new reservation (i.e., containment or prison).  The new reservation is on top of highly radiated land stemming from a 1979 accident.  Not only is the land polluted, but the streams and lakes, and consequently the food chain, are also contaminated.  This information has appeared in both local papers and the New York Times recently.  If we are ever to be truly activists or even if we are to make our own decisions and choices we must, as members of this American society, observe and challenge the norms in this society.

One step closer, i hear the angels calling my name.  Beat my blessed heart into words that will never be said.

Have you ever wondered why grind and power violent bands continually use images of drug addicts, corpses, and torture for their records?  I hope that you have, because if not that means that you have become desensitized to suffering.  None of those pictures demonstrate the heaviness or brutality of the bands, simply the ignorance or insensitivity of the people in those bands.  If hardcore is not about the music, or the sound quality, but the message, what message is sent by those images?  Do Not support the bands and labels that use suffering as their sales tool.  Use your judgement, and no matter how cool a band or label is, they are pathetic if they use these images on their shirts, records, or ads.  Don't let your favorite band do your thinking for you, question the information they present you, the sincerity of their message, and the medium they use.

Honesty.  Could we have a little bit?  In day to day life, I am continually accosted by liars and thieves.  Truthfully, if someone thinks I am an asshole I would like to know.  If someone thinks I have wronged them, I would love to know. And when someone wrongs me, I tell them.  Unfortunately, this system of honestly doesn't work to well, as it makes me look callous and missing tact.  But at what point did insincerity replace tact?

Whether it is the nature of the benefit of this compilation, or simply the crushing effect that it has on my life, i find myself returning to the idea of my father's death.  I think the reason for that is because my father's death signaled the moment i realized life.  Only by seeing death did life become defined, and i realized the magnitude of existence.  In fact, the horrible things that haooen ti ys are what defines our lives.  The way the human mind works is that we must see the negative befiore we see the positive,  Therefore death defines life, betrayal defines trust, hate defines love, depression defines elation, oppression defines freedom, and despicable people define true friends.  Although it is hard to exist in this fashion, we are forced to, because we rarely learn from others mistakes, and must fail on our own before the lesson is learned.  Perhaps we can learn from others, or perhaps we will not.  However, recently I attended a lecture by Mikhail Gorbachev, who said during the speech, "Fools learn from their mistakes, wise men learn from the mistakes of others."

Sound quality should be secondary to the message, if a band has nothing to say, what defines them as a hardcore band rather than a mainstream band.

When I was a kid, no matter what responsibilities my father had, no matter how broke we were, he would always get up early on Saturday morning and take care of his errands so that he could spend the rest of the day with me.  We would do anything i wanted to, play video games, race go karts, pitch a few, hit a garage sale and go play tennis with the racquets we just bought, or go fishing.  My father died in 87, when i was 11.  Ten years have passed since that moment and I still have trouble functioning.  It is not the continual pounding resentment, or the tear wrenching sobbing into a pillow, but the mind numbing resolution to simply survive.  The sickening fear that I will live life in vain, that drives me to be paralyzed by the fear of failure so that I never try, and fail by default.  And regardless of how much i make myself face realize and do something, it is a struggle.  So i find myself up later than i wanted, hating myself for being too lazy to get it together, and trying to get some errands done before the rest of the world is awake.

Has "emo" become a term for music that no longer contains a message, but has become a medium for drug addled generation Xers to share their angst through stream of conscience style lyrics, and abstract comparisons that mean as little to the singer as they do to you?

Activism, and hope are not enough.  We must take responsibility on our shoulders if we are ever to bring social, political, or personal changes.  We can't preach to each other, or even the community, it does no good.  There is no reason to try to win their hearts and minds, we must only try to open their eyes.  The most powerful impact we can ever have is by influencing the economic, political, or social structures.  In order to accomplish change, we must work from within the system, and make our voice heard.  Not by protests, not by militancy, and not by violence.  But by flyers, pamphlets, and by becoming examples within the system.  Therefore we must own our businesses, get involved in changing politics by participation, start our own information networks, and reach our with sincerity and courage to others, not with insults or force.  Start a business, become a teacher, get into politics, but damn it, do something to change things rather than thinking your mouth and a display of force will ever do anything but make the status quo view you as a radical, off-base, threat.

Perhaps the overall theme of my Rousseau bleeds through my words and thoughts.  But I believe that in ideal society mankind should not be governed, and should have control over their own destiny.  But just like Rousseau I realize that this will never occur.  So I still encourage and urge than we treat each other with dignity and respect, knowing it will not come, and that we can not handle the burden of self-government.

If I care to know about you politics whether it be Uhuru, animal rights, or the boycott of the week then i will take a pamphlet or ask you a question.  however, if I don't come to you, I find you a thrift store dressed parody of the people you probably find so loathsomely, those people handing out religious tracts.  People not handing the tracts out because they find them humorous, but because they find them prophetic.

In accordence with hardcore rule #567-C, I will include a "rant" against rape.  Rape is bad.  No shit.  At what point can we avoid the obvious, that rape is wrong, and move on to topics that won't waste our time.  No one argues that rape is a good, positive thing.  With that said, we can shoot the pitiful what constitutes as rape? debate.  This debate is ludicrous.  Rape can occur between strangers, friends, or even lovers.  The moment that sex is ANYTHING LESS THAN 100% CONSENSUAL, it is rape.  How hard is that definition to understand?  You could be in the middle of intercourse, but the moment someone says no, or no longer wants to be sharing a moment, it is over.  No buts, no pleading, no anger, no intimidation, and no continuation, only respect for that person's wishes and ideas.  There is not a middle ground.  So could we stop having confessionals at fests, letters of protests, and pc debates about what is rape, and use our heads?  Or do we have to continue debating that we really knew what our partners wanted?  Or that the person had consented before?  If we simply give a scrap of credibility to people's decisions we might just have less hurt people.

At what point did self-destruction become rebellion?  If someone shuts down their body for a few hours to do drugs, or begins to pump their money into the pockets of tobacco and alcohol companies, are they still rebelling, or simply preparing themselves for the day when punk rock is shelved for an 8 hour workday, Budweiser, and television?

Last night, at about midnight, our next door neighbors began setting piles of dry leaves on fire in front of their house.  As the blazes got higher they began spraying hairspray on the fire, and throwing toasts with their beers.  After a short time watching this, elizabeth turned to me and said she was worried.  So I looked up the number for the police and she placed a call to them.  Less than 10 minutes passed before a fire truck turned the corner along with a police car and the neighbors had their front lawn hosed down.  A little earlier than that, one of my neighbors and one of his tipsy party guests were making our on the lawn, while their friends clapped-(page appears to be cut off)-was a Saturday night, and the third day in a row that they had a party.  While they had a party, I made peanut butter cookies.  So while the fire department hosed their lawn, I felt guilty and wondered what I had done.  They were just having fun, right?  Well, I don't think so...I think they were being dangerous and stupid.  But at the same time, why is it that people are afraid to confront people on their actions anymore?  I didn't want to make a phone call, because I was afraid that our neighbors might know it was us, and they would do something to my roomates' cars or to our house.  In the end, this is the same mentality that holds neighborhoods hostage to criminals, and prevents people from doing the right thing.  I hope that I can avoid the culture that punishes whistleblowers, but sometimes you can't avoid things.  At the same time, things might have been avoided if I would have took them some cookies and asked them not to burn their lawn.  But I kinda doubt it, any idiot that would set fires in their front lawn wouldn't appreciate my cookies.  Too bad, cause they were damn good.

Patriotism.  While it might be due to the fact that I was born in the Midwest, I can't really spit on the American flag as much as the next hardcore kid.  The flag has become an over used image in hardcore that has lost it's strength, and become another icon to a direction starved rebellion.  While at one time there might have been power in tearing, burning, or otherwise defacing the flag, it's a relatively dead point.  The political impact, the strength associated with the display is gone.  In fact, it has even begun to offend me.  It is a copout to attack the American flag, declaring it as a masthead for ignorance, sexism, violence, homophobia, oppression, and foreign intervention.  The flag hasn't done anything.  The people sworn to defend the flag have done something.  The government has murdered; in the name of national defense, radiated children, conducted biological weapons research on it's citizens, covered scandals; not separated the (christian) church from the state; and ignored social ills.  However, the flag is attacked, the flag denounced, and the flag is the recipient of anger and hatred.  It makes no sense.  The flag does not represent these values we find so contemptable, but rather stands as a symbol for solidarity, honesty, and independence.  However, we have allowed it to be tainted and corrupted.  And like sheep we have fallen into the same lie, believing that the wrongs the United States has wrought are symbolized by the flag, and that denial of of the flag acts as denial of those offenses.  In fact, denial of the flag is nothing.  it does not challenge what America has done, it is not an indictment of America's philosophies, but rather draws criticism to a smokescreen.  Rather than face the question of the offenses America has dealt, the argument is lost in semantics, where corrupted politicians or the average "deceived" citizen can concern themselves with the flag not being represented correctly rather than the hideous things the government has done, and not been accountable for.

Gregg-Ape

Tuesday, April 5, 2022

Cobra Kites - Demo


Cobra Kites was a band of friends in Richmond, VA featuring Josh Poteat and Jason Bishop, formerly members of Bells on Trike.  There isn't much to be said about the band.  They came together as friends and recorded a 4 song demo/ep in 2000 or 2001 that they put out on 20 or 30 handmade CDrs made by Chris Hope (front pictured here).  They would only play one show together "at a tiny club in Richmond. Opened for a band with folks from Ida."

The recording is AMAZING, if you ask me.  If they must be compared then I would call them a more mellowed out Everyone Asked About You, closing in on the sound of Ida.  All four tracks are very good but the last two, ATC 70 and Crop Circles are really incredible.  Can't recommend these folks enough!

download the songs here.

Sidenote: If you or anyone you know has a copy of this CDr, PLEASE reach out to me at nosferatuman14@gmail.com

Saturday, March 12, 2022

Double Feature: The Hutchinson Brothers


In 1994 Brian Hutchinson was 17 years old and ready as ever to play his heart out in a hardcore band.  Before he went onto play in bands like Goodbye, Blue Monday and I Am Heaven, Brian played together with his Brother Todd as Foghornet.  Foghornet unfortunately has no recordings (that I'm aware of...) but the brothers would soon form the band Lollycolumn with their friend Jim Palmer.

Lollycolumn lasted about as long if not shorter than all of Brian's other bands, but they played some pretty bitchin' hardcore.  It's pretty impressive to hear Brian at such a young age already so well rounded as a musician and singer.  Filter is my favorite of the two tracks, but I love both.


4 years later Brian and Todd came back together with Dave Moylan (formerly in Elements of Need) and Stan in a band called North.  Equally short-lived the band only released a two track 7".  The music is a little different from their previous projects, mostly instrumental with only a few lyrics yelled in the first track.


Download the Lollycolumn 7" here.
Download the North 7" here.

Tuesday, March 1, 2022

PEE - Miracle Research Center Staff 7"


P.E.E. was a rock band in San Francisco, CA that was active from around 1994 til 1997 or '98.  The name is an acronym, but I forget what for.  They put out two LPs and a handful of 7"s, Miracle Research Center Staff being their last.  At the time the band had some interest in changing their name to Miracle Research Center Staff since P.E.E. was a little off-putting to listeners who weren't familiar, but they ended up staying as P.E.E., using the new name as the title of this 7".


Download the 7" here.


Friday, February 25, 2022

The Shyness Clinic / Everyone Asked About You - The Boston To Little Rock Connection Split


The Shyness Clinic was from Massachusetts, Everyone Asked About You was from Arkansas...  Pretty far apart for two independent rock bands to be in the 1990's, but none the less they came together to put out this split 7".  Released in 1998 by Amulet Records based out of Roxbury, MA this split gives a good look at some of the best bands emo-rock had to offer in the late 1990s with The Shyness Clinic's "Barcelona To Madrid" and Everyone Asked About You's "A Better Way To A Broken Heart" and "I Will Wait".  The Shyness Clinic's track would be re-recorded for their CD later that year, and while that recording is of a higher fidelity, I prefer the recording on this 7", the vocals just feel more raw to me.  Both of Everyone Asked About You's tracks are wonderful, but unlike the majority of their small catalogue they feature only Hannah's vocals.

One thing to note about this 7" is how noisy the pressing is.  Those who have only heard the compressed mp3s and YouTube uploads might be a bit jarred on first listen to this rip.

Download the split here.




Friday, February 18, 2022

The Scenic Vermont - Collected works


The Scenic Vermont was a rock band hailing from San Francisco, California in the mid '90s.  Putting out only 3 releases under their name, as well as 2 radio session tracks being put out in station comps, their output was not large; however I find their sound to be one of the most addicting of that scene. 
 

I originally heard these folks when I bought the Suicide Squeeze 10th anniversary CD which featured the final song on their 12" EP "Elementary".  I fell in love with that track and listened to it many times though the years, unable to find any of their other music.  Eventually I wised up to the internet and was able to purchase all the records, and was not disappointed by the 11 other tracks from the band.  I've shilled this band to pretty much anyone who knows me and talks to me about music, so without further adieu, I present every released recording from the band.

Download the Epilogue Fits B/W L.G.A. 7" here. (note: my 7" has a scratch on the first bit of the B side, i tried to patch it up a little but its still pretty noticeable..)
Self-Titled 7" here.
Worse Further South 12" here.
Compilation tracks here.


Sunday, February 13, 2022

Infind - Collected Works


Infind was a hardcore/emo group from Staten Island.  The band initially went as Dropjaw; played together live a few times but never formally released anything.  In 1995 they eventually switched the name to Filter and changed bassists, recording an untitled demo tape.


After Filter they changed again to Carbon and finally settled on Infind (notice the 3rd track on the filter tape).  Infind also had a 6 track demo cassette which they titled "Rolemodel", featuring one of the same tracks from the Filter tape.  


The same year they released their only "official" record, the Absence 7".


They continued to play music together into 1997, here's a nice video of them playing in their friend's backyard in '96 or '97.  And here's another great recording of their last show, featuring Kevin Devine as the third guitar and second vocalist!  Kevin played with Infind for the last two or so years of the band,  he had already been doing some stuff with Miracle of 86, and would continue that band after Infind broke up as well as his own solo music.

The Guys (left to right): Rob, James, Dave, Rico, Kevin
flyer from the show they had played, pretty sweet lineup

Infind got back together for a short time in 2006, adding keyboardist Joe Grado, but Dave would quit the band a little less than a year later.  Instead of dropping the band, the fellas changed the band name (once again!) to Audiometry.  Two years or so later Joe left the band and was succeeded by Andrew Struck-Marcell.  They played a lot of local shows up until 2014, releasing one CD in 2013 which you can listen to on Spotify.  There are some parallels to be drawn between them and Infind, but the sound is entirely instrumental and much more polished, I'm a big fan.  Lots of youtube videos of them playing live/in session, this one's probably my favorite, two reworked Infind tracks and Agonist which appears on the CD.

My immense gratitude to Rob Marinelli for giving me so much info and the Audiometry CD!  Thank you Rob, for the 100th time.

Listen to Audiometry on Spotify.

Download the Absence 7" here.
Rolemodel demo here.
Filter demo here.
Dropjaw rehearsal tape here.

Listen to Infind's last known recording ('96 or '97) on youtube:
(the cassette had some pretty bad audio glitches, tried my best to clean it up)

Thursday, January 27, 2022

Stuart Marson - Night Falls On The Orchestra




Nigh Falls On The Orchestra was the first release from U.K. folk guitarist and singer Stuart Marson.  Not much is documented online of him,  I do know that he worked as a schoolteacher for some time, but has retired.  He once maintained the website stuartmarson.com, but the link is down and without archive.  There is also a CD listed on his discogs page, added recently which leads me to assume that between 1974 and 2013 he would have recorded and self-released more material that has yet to surface online.  Here's to hoping it one day does.  There are a few recordings he's posted on his youtube channel to watch as well, very nice stuff.

The music on the LP is very melancholic folk; lyrics of the city and its restlessness, gardens, quays and Marilyn (Monroe?).  Beautiful guitarwork from himself as well as Derek Smith who accompanies him on each song.  I cannot speak highly enough of the quality of these songs, the guitars work together wonderfully and Marson's poetry is both beautiful and devastating.

Download the LP here.
(included are pictures taken of the front, back, and labels with a camera, unfortunately my scanner is not big enough for LPs, also included is a .txt containing all of the writing on the back cover: lyrics recording info, etc.)


Monday, January 24, 2022

Toast - Beatriz 7"


Toast was a New Hampshire an indie rock band who put out a handful of 7" eps and a 5" split single between 1993 and '94.  I got my copy of this 7" for free when I ordered a Heatmiser LP on discogs a few years ago and thought the songs were pretty good, haven't listened to the other releases.  It would seem to me that the guys in this band were fans of The Hated, the song Lantern Man on here reminds me a lot of the music on the Three Shades of Dirty tape.

Download the Beatriz 7" here.

Friday, January 14, 2022

Far Apart - Hazel 7" and John Doe Band split 7"


Far Apart, another short lived band (but aren't they all?) from Sweden, is a great example of Swedish emo in its stride.  Their Hazel 7" is well loved by those who know it, and the split they did the following year is also some very good tunes.  The band also has a demo tape, which has not surfaced online as far as I know, and if anyone has it/know where it may be PLEASE contact me!

Download the Hazel 7" here.
Download the John Doe Band split 7" here.



Thursday, January 6, 2022

Compound Red - Mr. Microcosm


Mr. Microcosm was the first CD put out by Milwaukee, WI band Compound Red in 1993 following four self released cassettes and one 7".  One of only two full-length albums the band would ever release, Mr. Microcosm is much heavier then its predecessor, which would follow 5 years later after a change in vocalist.  Between the two albums the band put out a handful of 7" splits and singles.

Personally, I prefer John Lyman's vocals (the singer on this CD) to those of Greg Steffke who would sing on the bands final split 7" and album.  Not to discredit Steffke, I still sincerely enjoy the band's final effort, but nothing matches Lyman's wailing (timestamped to my favorite part) on the Peter Pan's Shadow B/W 20 Miles Up There Is No Air 7".

Download the Mr. Microcosm CD here.



(you can click the images to zoom in and see the full resolution scan)





Welch - Storecookies, Sugar And Videotapes On Stock


Storecookies, Sugar and Videotapes On Stock was the only full album released by Italian emo band Welch.  Released on CD in 2001 I think this album is a pretty special piece but there's nearly no info (that I, an American, can find online) on the band, so this write up is a little brief.  You can download the CD here.







The Western Expanse - Hollywood Nights B/W Featherweight Crown


Hollywood Nights B/W Featherweight Crown was the first release from Los Angeles band The Western Expanse.  The band formed from the ashes (to put it poetically, for my own entertainment) of the emo band Emery.  The band at one point also distributed a 5 track CD that contained re-recordings of the songs on the 7" with a different bassist and without the glockenspiel.  Sadly I have no info on the CD other than knowledge of its existence and the tracks it had on it, as told me by Eric Feezell (the bassist on the 7"): 
"It's the other versions of Hollywood Nights and Featherweight Crown where Chris sings up an octave, as well as Dirty Face and I think Asterisk and Lightning Scissors? Don't quote me on the last two but 99% sure Dirty Face is one of the five."
Download the 7" here.

P.S. If any of you Western Expanse fellas see this post and still have a copy of that CD please reach out to me!! I'd seriously appreciate it.

The Vehicle Birth - Tragedy

 


Tragedy was the first and last full length album released by another Boston band (though, originally formed in North Virginia) The Vehicle Birth.  First self-released on vinyl in 1996; it was repressed in 1998 by Crank! records on both CD, which my rip is sourced from, and vinyl.  The band didn't release much, just this album and two self released 7"s as well as a split with The Wicked Farleys in 1999.  No scans of mine for this since it's a digipack (annoying to scan) and there were some decent ones up on discogs already.  

Download the CD here.

The Wicked Farleys - Ken Theory 7"

 


Ken Theory was the first release from Boston, MA rock band The Wicked Farleys.  Featuring only two tracks: You, avatar. (who's studio recording would only see release on this 7"), and Fitchburg, MA (which would be rereleased two years later on their 1999 EP as well as included in a compilation).  The Wicked Farleys would go on to release 2 full length albums, the previously mentioned EP, and 2 split singles.  Download Ken Theory here.